Usually, there is a fundamental theme to every movie you see — a slogan if you will.
Even the most unintelligent films have one. This slogan is often spoken within the movie by one of its characters. In the case of Scarface, Tony Montana sets out the whole theme of the movie in one bold statement: the world is yours .


Many people think of Scarface to be one of the most supreme gangster film ever made. Scarface is simply a great film, but does it really fall into the entire gangster genre? It’s loosely based on the 1932 film Scarface, and shares many plot points: the stealing of the boss’ girl, the over protecting nature dealing with

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thesister, the dramatic death of the bad guy in the end. These themes are present in both films. But the last Scarface is about an outsider. He’s got hangers-on and a best buddy, but ultimately it’s a character study of Tony Montana. Oliver Stone, who wrote the film, was neck deep in cocaine problems, when he wrote this. The sleek Miami look of the movie, finally inspired other filmmakers.



DePalma clearly points out the suppressive views of people living under a dictatorial
system such as Cuba. This is evident in Pacino s role as Tony Montana. A street
smart thug who knows what to say, what to do and when to do what he needs to do, to
get

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exactly what he wants. He wants the world — and in his mind, it’s promised to him
in the words: “The World Is Yours” blinking on a blimp high above the city. Tony
ends up working for the local crime boss Frank Lopez, and does very
well keeping up with the Jones’ — so well, in fact, that he seizes control of the entire
operation, money, drugs and the boss’ girl. All these
things Tony gets — but he wants more. More power, more money and more women.
One woman he wants in particular, is his very own sister. Although it’s not clear the
type of love Tony plans to rain down on his sister, it’s telegraphed to be sick.
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One bad,
paranoid move after another lands Tony in the line of fire, and about 6,000 bullets are
rushing right at him.


Back then, cocaine was the street drug of choice, and “Scarface” exemplified the
culture, which tended to attract a large following for the film. However, cocaine was
an expensive street drug and only an afforded luxury of the wealthy. With the
combination of the film and the drug itself, it expressed a time of glamour, late-night
parties, fast cars, and even faster women. Not that life does not possess those qualities
today; it’s just that the early 1980’s were truly an excessive period for many
Americans, reluctantly, due to cocaine. In fact, Oliver Stone mentions that he had to
get

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out of the country to write “Scarface,” and he admits to abusing cocaine during
that time.


You never know how he is going to react. When immigration officials doubt his answers, the Cuban immigrant goes off on a tirade talking about communism and why he left Castro’s country.


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